This book is the documentation of a project by English artist Simon Starling in the Ateliergebouw of the Rijksmuseum in Amsterdam.
This book has never been online before. It is the accompanying catalogue to the exhibition Life in a Glass House, a proposal for Municipal Art Acquisitions 2001/ 2002 in the Stedelijk Museum Amsterdam
This is the place where you can find Manifesta Art Mediation content divided in chapters.
When the Anne Frank House asked COUP to make illustrated statistics about visitors and activities, COUP noticed that the logo of the Anne Frank House exactly looks like a pictogram of Gerd Arntz, famous for creating the statistics for Otto Neurath’s book “Modern man in the making” from the 1940’s.
If you dive into the archives of the Cobra Museum — like the Rietveld students did during their workshop — you can discover the inspiration for the Cracking Cobra logo.
Michael Tedja’s artworks all look very different and needed a typographic framework to make the publicity of his exhibition in the Cobra Museum look consistent
The Principle Rules was an event about constructing and readability. The typography in the flyer and the brochure focused on readability as the result of a collapsing construction.
The posters and flyers are made for Klassieke Beesten, an event that could be described as a dynamic sum of poetry and music
The title on the cover reads back in time via the covers of previous books, and emphasizes the content as the latest development of an ongoing story
This is the accompanying catalogue of Roulette, an art project in 6 rounds by German artist Manfred Pernice, taking place on a roundabout just outside the city of Utrecht. Every round in the book is more than just a chapter. It has its own cover.